Pièce pour piano, percussions et support audio

Basic information

Composer Gobert, Gilles
Duration 12 min.
Year of composition 2009
First performance (year) 2009
First performance (venue) Syntax 8.1 festival, Perpignan (France)
First performance (performers) Syntax Ensemble
Submitter Ensemble OI\I
Publisher
Type
Thematic tags
Conductor No
Soloist(s) ,

Instruments

Musicians 1st player 2nd player
Musicians Instruments
Percussion 1
Glockenspiel
Vibraphone (F3)
Cymbals
Tamtam
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
4-channel electronics
Visuals

Notes

Programme notes

coming soon

Technical specs

There are four speakers on stage around the musicians

An electronic performer is on stage with the musicians (see the plan in the score). This electronic performer have a laptop with my Max/MSP patch, a soundcard and a MIDI controller for mixing and to trigger electronic sequences.

The general balance is made from the floor by a mixing console (like Yamaha 01V96 for example).

The two speakers in the audience are optional (see the plan in the score).

Additional notes

This piece has not been recorded.

Trecce de Threni

Basic information

Composer Fourgon, Michel
Duration 8 min.
Year of composition 2004
First performance (year) 2004
First performance (venue) Brussel, "Espace Senghor"
First performance (performers) Soprano: Eva Olivanyi, Clarinet: Jean-Pierre Peuvion, Piano: Brigitte Foccroulle
Submitter Ensemble OI\I
Publisher
Type
Thematic tags
Conductor No
Soloist(s) soprano,

Instruments

Musicians 1st player 2nd player
Violin2
Viola2
Cello2
Clarinet 1
B-flat
Musicians Instruments
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes

Coming soon. The composer is translating.

Technical specs
Additional notes

Trecce de Threni is unpublished. There is no technically good recording available. Contact the composer for a low quality recording.

Ellipsen

Basic information

Composer Deleuze, Jean-Pierre
Duration 16 min.
Year of composition 1998
First performance (year)
First performance (venue)
First performance (performers)
Submitter Ensemble OI\I
Publisher Belgian Centre for Music Documentation
Type
Thematic tags
Conductor No
Soloist(s) ,

Instruments

Musicians 1st player 2nd player
Violin1
Clarinet 1
B-flat
Musicians Instruments
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes

I composed Ellipsen, a trio for clarinet, violin and piano, on the basis of a cycle of poems by Roland Jooris (born in 1936 in Wetteren, Belgium). In his poems, Jooris expresses his feelings when viewing works of visual art. I tried to do much the same thing by (re)translating into musical form my own reactions after reading his astonishing work. With the agreement of the poet, I used the titles of six of the poems for the six movements of the piece. The number of instruments varies from one movement to the next, in keeping with the contrasts between the poems: OVAAL clarinet solo EI duet violin and piano SAENREDAM trio FAGOT duet clarinet and piano ETUDE violin solo IMPROMPTU trio This work is not just a setting into music of the poems: « Ellipsen » can be appreciated as an autonomous work, as pure music. However, listening to the music after having read the poems clarifies the connection between the two modes of artistic expression. Ellipsen is composed on an original scale that is the result of the aligning of the overtones (harmonic series): it uses a limited number of tempered sounds united with untempered sounds, played only by the violin and the clarinet. For this reason, the piano does not need special tuning. Jean-Pierre Deleuze

Technical specs
Additional notes

Calligrammes

Basic information

Composer Varela, Víctor
Duration 13 min.
Year of composition 2001
First performance (year)
First performance (venue)
First performance (performers) Gageego!
Submitter Gageego!
Publisher Swedish MIC
Type
Thematic tags
Conductor Obligatory
Soloist(s) soprano,

Instruments

Musicians 1st player 2nd player
Viola1
Bassoon 1
Bassoon
Contrabassoon
Musicians Instruments
Percussion 1
Vibraphone (F3)
Cymbals
Tom-Toms
Temble Blocks
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes
Technical specs
Additional notes

Commisioned by Concert Sweden, Calligrammes is dedicated to Cecilia Vallinder og Gageego! ensemble.

Requies

Basic information

Composer Schaathun, Asbjørn
Duration 14 min.
Year of composition 2006
First performance (year)
First performance (venue)
First performance (performers)
Submitter Oslo Sinfonietta
Publisher
Type
Thematic tags
Conductor Obligatory
Soloist(s) ,

Instruments

Musicians 1st player 2nd player
Viola1
Cello1
Double-bass14-string
Flute 1
G alto
Oboe 1
Cor anglais
Clarinet 1
Bass
Horn (F) 1
Trombone 1
Tenor
Musicians Instruments
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes
Technical specs
Additional notes

Piano, Viola, Violoncello, Contrabasso, Corno, Trombone, Flauto Alto, Corno Inglese, Clarinetto Basso

Prudent Views of My Love Passing by the Season

Basic information

Composer Ruždjak, Marko
Duration 11 min.
Year of composition 1991
First performance (year) 1991
First performance (venue) International Music Festival Opatija (Croatia)
First performance (performers) Milko Pravdić, clarinet / Volodja Balzalorsky, violin / Andrej Petrač, violoncello / Tomaž Petrač, piano
Submitter Cantus Ensemble
Publisher
Type
Thematic tags
Conductor No
Soloist(s) ,

Instruments

Musicians 1st player 2nd player
Violin1
Cello1
Clarinet 1
B-flat
Musicians Instruments
Keyboard 1
Piano
Other instruments and playing techniques
Equipment
Sound electronics
Visuals

Notes

Programme notes

The quartet Prudent Views of My Love Passing by the Season (1991.) is part of the circle of quartets under the name KWARTETI '91. by four Croatian composers, professors at the Academy of Music in Zagreb that wanted to respond to the unspeakable war situation in Croatia. They were inspired with Messiaen's Quatour pour la fin du temps. The composition Prudent Views of My Love Passing by the Season was originally conceived as three separate movements, and it was only later that the composer interwined them up to a point, inspired by the notion of dislocation and imitating technical procedures of the cutting – room. The inspired musical harmony of the piece is characterized by a relatively sparing use of the instruments, which, during their solo – promenades or in accidental close encounters within longer sections, appear as a string duet caught in the act, a lonely piano passer – by, or a clarinet that has lost its way. All the instruments meet in common cause only in brief introduction and interludes.

Technical specs
Additional notes