Basic information
| Composer |
Gobert, Gilles |
| Duration |
12 min. |
| Year of composition |
2009 |
| First performance (year) |
2009 |
| First performance (venue) |
Syntax 8.1 festival, Perpignan (France) |
| First performance (performers) |
Syntax Ensemble |
| Submitter |
Ensemble OI\I |
| Publisher |
|
| Conductor |
No |
| Soloist(s) |
, |
Instruments
|
Musicians |
1st player |
2nd player |
|
Musicians |
Instruments |
| Percussion |
1 |
Glockenspiel
Vibraphone (F3)
Cymbals
Tamtam
|
| Keyboard |
1 |
Piano
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
4-channel electronics
|
| Visuals |
|
|
Notes
| Programme notes |
coming soon
|
| Technical specs |
There are four speakers on stage around the musicians
An electronic performer is on stage with the musicians (see the plan in the score). This electronic performer have a laptop with my Max/MSP patch, a soundcard and a MIDI controller for mixing and to trigger electronic sequences.
The general balance is made from the floor by a mixing console (like Yamaha 01V96 for example).
The two speakers in the audience are optional (see the plan in the score).
|
| Additional notes |
This piece has not been recorded.
|
Trecce de Threni
Basic information
| Composer |
Fourgon, Michel |
| Duration |
8 min. |
| Year of composition |
2004 |
| First performance (year) |
2004 |
| First performance (venue) |
Brussel, "Espace Senghor" |
| First performance (performers) |
Soprano: Eva Olivanyi, Clarinet: Jean-Pierre Peuvion, Piano: Brigitte Foccroulle |
| Submitter |
Ensemble OI\I |
| Publisher |
|
| Conductor |
No |
| Soloist(s) |
soprano, |
Instruments
|
Musicians |
1st player |
2nd player |
| Violin | 2 | | | | Viola | 2 | | | | Cello | 2 | | |
| Clarinet |
1 |
B-flat
|
|
|
Musicians |
Instruments |
| Keyboard |
1 |
Piano
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
|
| Visuals |
|
|
Notes
| Programme notes |
Coming soon. The composer is translating.
|
| Additional notes |
Trecce de Threni is unpublished. There is no technically good recording available. Contact the composer for a low quality recording.
|
Ellipsen
Basic information
| Conductor |
No |
| Soloist(s) |
, |
Instruments
|
Musicians |
1st player |
2nd player |
| Violin | 1 | | |
| Clarinet |
1 |
B-flat
|
|
|
Musicians |
Instruments |
| Keyboard |
1 |
Piano
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
|
| Visuals |
|
|
Notes
| Programme notes |
I composed Ellipsen, a trio for clarinet, violin and piano, on the basis of a cycle of poems by Roland Jooris (born in 1936 in Wetteren, Belgium). In his poems, Jooris expresses his feelings when viewing works of visual art. I tried to do much the same thing by (re)translating into musical form my own reactions after reading his astonishing work. With the agreement of the poet, I used the titles of six of the poems for the six movements of the piece. The number of instruments varies from one movement to the next, in keeping with the contrasts between the poems: OVAAL clarinet solo EI duet violin and piano SAENREDAM trio FAGOT duet clarinet and piano ETUDE violin solo IMPROMPTU trio This work is not just a setting into music of the poems: « Ellipsen » can be appreciated as an autonomous work, as pure music. However, listening to the music after having read the poems clarifies the connection between the two modes of artistic expression. Ellipsen is composed on an original scale that is the result of the aligning of the overtones (harmonic series): it uses a limited number of tempered sounds united with untempered sounds, played only by the violin and the clarinet. For this reason, the piano does not need special tuning. Jean-Pierre Deleuze
|
Calligrammes
Basic information
| Composer |
Varela, Víctor |
| Duration |
13 min. |
| Year of composition |
2001 |
| First performance (year) |
|
| First performance (venue) |
|
| First performance (performers) |
Gageego! |
| Submitter |
Gageego! |
| Publisher |
Swedish MIC |
| Conductor |
Obligatory |
| Soloist(s) |
soprano, |
Instruments
|
Musicians |
1st player |
2nd player |
| Viola | 1 | | |
| Bassoon |
1 |
Bassoon
Contrabassoon
|
|
|
Musicians |
Instruments |
| Percussion |
1 |
Vibraphone (F3)
Cymbals
Tom-Toms
Temble Blocks
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
|
| Visuals |
|
|
Notes
| Additional notes |
Commisioned by Concert Sweden, Calligrammes is dedicated to Cecilia Vallinder og Gageego! ensemble.
|
Requies
Basic information
| Composer |
Schaathun, Asbjørn |
| Duration |
14 min. |
| Year of composition |
2006 |
| First performance (year) |
|
| First performance (venue) |
|
| First performance (performers) |
|
| Submitter |
Oslo Sinfonietta |
| Publisher |
|
| Conductor |
Obligatory |
| Soloist(s) |
, |
Instruments
|
Musicians |
1st player |
2nd player |
| Viola | 1 | | | | Cello | 1 | | | | Double-bass | 1 | 4-string | |
| Flute |
1 |
G alto
|
|
| Oboe |
1 |
Cor anglais
|
|
| Clarinet |
1 |
Bass
|
|
| Horn (F) |
1 |
|
|
| Trombone |
1 |
Tenor
|
|
|
Musicians |
Instruments |
| Keyboard |
1 |
Piano
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
|
| Visuals |
|
|
Notes
| Additional notes |
Piano, Viola, Violoncello, Contrabasso, Corno, Trombone, Flauto Alto, Corno Inglese, Clarinetto Basso
|
Prudent Views of My Love Passing by the Season
Basic information
| Composer |
Ruždjak, Marko |
| Duration |
11 min. |
| Year of composition |
1991 |
| First performance (year) |
1991 |
| First performance (venue) |
International Music Festival Opatija (Croatia) |
| First performance (performers) |
Milko Pravdić, clarinet / Volodja Balzalorsky, violin / Andrej Petrač, violoncello / Tomaž Petrač, piano |
| Submitter |
Cantus Ensemble |
| Publisher |
|
| Conductor |
No |
| Soloist(s) |
, |
Instruments
|
Musicians |
1st player |
2nd player |
| Violin | 1 | | | | Cello | 1 | | |
| Clarinet |
1 |
B-flat
|
|
|
Musicians |
Instruments |
| Keyboard |
1 |
Piano
|
| Other instruments and playing techniques |
|
|
Equipment |
| Sound electronics |
|
| Visuals |
|
|
Notes
| Programme notes |
The quartet Prudent Views of My Love Passing by the Season (1991.) is part of the circle of quartets under the name KWARTETI '91. by four Croatian composers, professors at the Academy of Music in Zagreb that wanted to respond to the unspeakable war situation in Croatia. They were inspired with Messiaen's Quatour pour la fin du temps. The composition Prudent Views of My Love Passing by the Season was originally conceived as three separate movements, and it was only later that the composer interwined them up to a point, inspired by the notion of dislocation and imitating technical procedures of the cutting – room. The inspired musical harmony of the piece is characterized by a relatively sparing use of the instruments, which, during their solo – promenades or in accidental close encounters within longer sections, appear as a string duet caught in the act, a lonely piano passer – by, or a clarinet that has lost its way. All the instruments meet in common cause only in brief introduction and interludes.
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